Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.
Tuesday, 29 October 2019 - 7pm
Encounter centred on Jörg Immendorff
This encounter/guided tour sees Ulrich Wilmes, art historian and curator of the exhibition Jörg Immendorff. The Task of the Painter (Museo Reina Sofía, 30 October 2019 – 13 April 2020), shine a light on the career of the German artist from multiple perspectives and with a direct connection to the works on display.
Monday, 28 October and Tuesday, 5, 12 and 19 November 2019 - 5pm
Art, Nature and Degrowth
Tours around the work of Mario Merz
This series of tours around the exhibition Mario Merz. Time is Mute takes a closer look at the relationship between the ideas underpinning the work of the Italian artist and contemporary thought on nature.
From 17 October to 4 December 2019
Return to the Future?
Eighty Years on from the End of the Spanish Civil War
The 1936 coup d’état and the ensuing civil war splintered reality, the pieces scattering across complex [in]exiles, disappearances, silences… faltering and inconclusive narratives, fertile, multifocal and widespread memories that pulse and throb today, cross-examining the present and managing to distort a univocal, hegemonic gaze.
Tuesday, 24 September 2019 - 6pm
Exhibition tour by Babette Mangolte, Nataša Petrešin-Bachelez and Giovanna Zapperi
Via a guided tour prior to the exhibition’s Defiant Muses. Delphine Seyrig and the Feminist Video Collectives in France in the 1970s and 1980s unveiling, the photographer and experimental filmmaker Babette Mangolte and the show’s curators, Nataša Petrešin-Bachelez and Giovanna Zapperi, will underscore the complex network of alliances between writers, artists and film-makers, of which Seyrig was a part, along with other activists
19 and 21 February and 22 April 2019 - 7pm
Art and Difference in Latin America (1919–1979–2019)
Inside the framework of the exhibition The Avant-Garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s (Museo Reina Sofía, 20 February – 27 May 2019), this session of activities seeks to examine relationships between indigenous identity, art, visual culture and the politics of representation on the continent, extending across three chronological landmarks: historical avant-garde movements (1919), neo-avant-garde movements and the crisis of the modern paradigm (1989) and contemporaneity (2019).
20, 25, 26 and 27 March 2019 - (check programme)
The Politics and Aesthetics of Memory
A Survey of Transitions in Latin America and Spain
On this occasion, the programme shines a light on cases in Spain and the Southern Cone of South America, starting, firstly, with the unveiling of the exhibition Incomplete Times. Chile, the First Neoliberal Laboratory, in the Museo’s Library and Documentation Centre (from 21 March to 24 May 2019), and the guided tour by its curator, Nelly Richard.