Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.
Results
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
November 11, 2014 - 6:30 p.m.
Encounter centred on Mathias Goeritz
Lecture held by Francisco Reyes Palma
This lecture offers a journey through the work of Mathias Goeritz as it introduces the expansive retrospective exhibition the Museo is devoting to the artist. The creator of both syncretic and original work, after 1940 Goeritz would reformulate European geometric abstraction through ancestral pre-Hispanic tradition and a new sense of the public sphere.
-
-
October 15, 2014 - 7:00 p.m.
Encounter with Juan Luis Moraza
This encounter serves as an introduction to the Juan Luis Moraza exhibition republic in the Museo (15 October, 2014 - 2 March, 2015), bringing together the artist and João Fernandes, the curator of the exhibition and deputy director of the Museo Reina Sofía, in a public conversation.
-
-
-
-
-
-
October 2, 2013 - 7:00 p.m.
Encounter Chris Killip
This talk, organised in connection with the exhibition Chris Killip. Trabajo/Work, is a unique opportunity to learn about the work of one of today's most important documentary photographers. The artist himself leads the visit through the exhibition, in which his photography is shown as a real and poetic document of the living conditions of the British working class, within the tradition of direct photography.
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-