The audiovisual programs are intended to counteract the predo
Results
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16 December 2020 – 4 February 2021 - (check programme)
Illustrated Iconoclasm
León Ferrari and Audiovisuals
Con motivo del centésimo aniversario del artista argentino León Ferrari, el Museo Reina Sofía organiza un ciclo audiovisual que acompaña la exposición antológica La bondadosa crueldad. León Ferrari, 100 años.
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Saturday, 12 and Sunday, 13 September 2020 – 7pm
François Dufrêne. Tambours du jugement premier
A Re-reading by Gran Circo Indómito
This session without screenings is related to the series Guy Debord and René Viénet, from Lettrism to Situationism. Film Is Dead: If You Want, Let’s Proceed to the Debate.
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21 February - 15 November 2020 - (see programme)
Guy Debord and René Viénet, from Lettrism to Situationism
Film Is Dead: If You Want, Let’s Proceed to the Debate
Lettrism and Situationism were two intellectual and artistic movements that foreshadowed the transcendence of the idea of the avant-garde. This series, therefore, joins both movements across three blocks: Lettrism, Guy Debord and René Viénet.
Activity of: Guy Debord
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4 November - 29 December 2019
Nothing Happens, Everything Changes
A Chantal Akerman Retrospective
Museo Reina Sofía and Filmoteca Española have come together every autumn since 2016 to organise an audiovisual programme. Following retrospectives devoted to Jean-Marie Straub and Danièle Huillet, Dziga Vertov and Early Soviet Cinema, and Chinese film-maker Wang Bing, this series offers the most comprehensive film exhibition to date on the oeuvre of Chantal Akerman (1950–2015).
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1 and 3 September 2018 - 7pm
Interval 16. Dora García
Second Time Around
Inside the Intervals series, which screens films without commercial distribution, and coinciding with the conclusion of the solo exhibition on Dora García (18 April – 3 September), the artist’s latest film Segunda Vez (Second Time Around) will be screened in the Sabatini Auditorium. The film explores the relationship between fiction and history and the ways of approaching reality through staging; that is to say, the mechanisms of representation.
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