The audiovisual programs are intended to counteract the predo
Monday, 24 June 2019 - 6pm
Situated Voices 8
This eighth edition of Situated Voices, promoted by the Museo Situado network, an initiative in which different migrant collectives and neighbourhood associations from Madrid’s Lavapiés neighbourhood collaborate with the Museo Reina Sofía, reflects on the borders which obstruct crossings and refuge for people in the contemporary world.
Sunday, 17 March 2019 - 6pm
Documents 9. Prelinger Archives
Behind the American Dream
Created in 1982, the Prelinger Archives form the largest collection of international ephemeral cinema, with over 60,000 advertising, propaganda, educational, and amateur films, as well as home movies and American landscape films shot across the length and breadth of the 20th century.
27 and 28 November 2018 - 10am and 7pm (check programme)
Six Contradictions and the End of the Present. Paul Mason
Postcapitalism. A Guide to the Present Future
Theories on the crisis of capitalism have swamped social, political and economic analyses in recent years, with all interpretations, although hugely relevant, generally lacking a proposal for the future. Paul Mason, however, has formulated a theory about the transition to an alternative and impending system — a guide to postcapitalism.
28 June – 6 July 2018 (check programme)
A Possible Strength: Towards a Poietics of Living Together
Round table, performance, conference, and film screening series
This program emerges out of the need to bring together ideas on the illnesses we suffer from, at a time when the welfare state has given way to a type of governance centered on the proliferation of new disorders, diseases, and medications.
Wednesday, 13 June 2018 - 7pm
An Approach to Afal
Ramón Masats and Carlos Pérez Siquier in conversation with Laura Terré
This encounter, held in relation to the exhibition An Approach to Afal. The Autric-Tamayo Donation, recollects the central space occupied by the Afal collective in post-war Spanish photography. A conversation between two of its leading figures, photographers Ramón Masats and Carlos Pérez Siquier, and the show’s curator, Laura Terré, will be followed by the screening of Alberto Gómez Uriol’s documentary Afal, una mirada libre (Afal, a Free Gaze), which assembles declarations from the majority of its members.
27 and 28 April 2018 - 11am and 7pm (check programme)
Six Contradictions and the End of the Present. Franco Berardi Bifo
Subversion or Barbarism. The End of the World as We Know it
Franco Berardi Bifo is a philosopher, writer and media theorist.
For this session of the programme Six Contradictions and the End of the Present Bifo will conduct three activities in the Museo: a public lecture, a research workshop and the presentation of the film Comunismo future (2017). In the lecture, the philosopher explores new forms of power and domination; the workshop will be set up as a work session with writings chosen specifically by the author and, as a coda to the session, Bifo will present, with Andrea Gropplero di Troppenburg, the film Comunismo futuro.
February 11 - 12, 2016 - 7:00 h
Luc Tuymans and Andrzej Wajda
Two Readings of Andrzej Wróblewski
The conversation between the painter Luc Tuymans and the curator Ulrich Loock, and the film Wróblewski According to Wajda, premiered by the film-maker Andrzej Wajda in the Museo Reina Sofía, represent two reflections on the painting of Andrezej Wróblewski, who still challenges the interpretative frameworks of 20th-century art history today. A realist and at the same time abstract, an individualist whilst also an advocate of collective artistic practice, experimental yet socially committed, Wróblewski considers a series of ambivalences through his work that call into question key aspects of both his own epoch and the present.
November 10, 2015 - 6:30 p.m.
Hito Steyerl. Eye Explosion and Kassem Mosse. Combat Zones that See
This double performance serves as an introduction to the Hito Steyerl retrospective in the Museo. The studied disappearance of the image in modern surveillance technology is developed in a performance lecture by the artist, followed by an exploration into the new acoustic landscape of war – between military noise and sounds from consumer devices - by Kassem Mosse. Both performances are a posthumous homage to Harun Farocki.