Seminars and Lectures

Museo Situado unites with the launch of the Padrón por derecho (Residency Registration by Right) campaign, together with different collectives, to make citizens aware of institutions’ compliance in people’s right to register their residency. This encounter features music and poetry which open another awareness-raising window upon this collective demand.

The Museo Reina Sofía’s Juan Antonio Ramírez Chair invites art historian Griselda Pollock to speak at its annual programme of master lectures, which reflects upon the historiography of art and its limits and vanishing points.

This fresh instalment examines an unexplored side of Joan Miró’s career: his poetic pursuit and the influence of poetry on his work. Therefore, the activity comprises a round-table discussion, conducted by specialists Olvido García Valdés, María González Menéndez and Carlos Martín García, and is centred on the analysis of a poetic text written by Miró, regarded as a possible manifesto of his artistic work. 

In the publication Ese sexo que no es uno (This Sex Which Is Not One, Akal, 2009), the philosopher Luce Irigaray sets out to travel through the monolithic representation of the sexual to recognise and liberate difference and multiplicity in pleasure. Under the title This Violence Which Is Not One, this encounter looks to emulate this defiant gesture, questioning a rigid imaginary of violence against women and the ideas of social justice associated with it. 

Esta actividad convoca a Eileen Myles, una de las voces más singulares de la poesía contemporánea y figura internacional de la literatura LGTBQI+, en un encuentro que toma forma de recital y conferencia, y que cuenta con la participación de la periodista Nerea Pérez de las Heras a cargo de la lectura del manifiesto I Want a President (1992) de la artista Zoe Leonard.

To celebrate the twenty-fifth anniversary of Gladys Palmera, the Museo Reina Sofía organises, in collaboration with the Gladys Palmera Foundation, a day which spins around African-influenced dances and rhythms, for instance danzón, chachachá, mambo, rumba, cumbia, salsa and ballenato, genres which have shaped Latin American cultural identity, from the Caribbean islands to the Southern Cone.

The Museo Reina Sofía organises an encounter in memory of cultural manager Berta Sureda (Barcelona, 1959 – Palma de Mallorca, 2024), whose work was pivotal in opening new horizons in cultural institutions, placing creators front and centre and driving forward citizen participation. The activity here comprises a series of interventions by different cultural agents and fellow professionals and is conducted, in parallel, in the Museo Reina Sofía and the Centre de Cultura Contemporània de Barcelona (CCCB), with a live streaming between both spaces. The interventions will be followed by a dance piece by the company Mal Pelo, performed by María Muñoz.

This edition is devoted to de caballos y guitarras (Of Horses and Guitars, 2024), the latest feature-length film by artist, curator and researcher Pedro G. Romero (Aracena, Huelva, 1964), who will also present the film in both sessions. After the screening in the first session, the artist will take part in a discussion with the audience, while the second showing will be followed by a concert performed by Raül Refree and Alfredo Lagos.

American film-makers Serge Garcia and Richard Shpuntoff, selected for the second edition of the annual Joaquim Jordà Residencies, organised conjointly by the Museo Reina Sofía, Doclisboa and FIDMarseille, present a selection of their films, in addition to the projects they are working on during the residency.

The Museo Reina Sofía joins with the Festival de las Ideas (the Festival of Ideas), a new event which operates under the slogan “Thought Takes to the Streets” and comes into being with the aim of disseminating contemporary theory and, in the process, filling Madrid’s streets, squares and cultural spaces with concepts. In its first edition, which orbits around catharsis, the Museo welcomes a reflective walk around the Collection, led by artist Marina Núñez.  

The sixth edition of Art and Tourism Imaginaries, an encounter series organised with the research group TURICOM, sets forth a study which explores the phenomenon of postcards and their impact on shaping the themes and stereotypes which have formed the collective imaginary of geographies, peoples and consumer habits in contemporary visual culture.

The activity is made up of a morning workshop — split into three groups with different access — which aims to raise awareness, through four stations based on the principles of four-colour printing, of the array of possibilities within the artist’s book, from its poetic beginnings with Mallarmé and Apollinaire to its more contemporary expressions.

This workshop, run by Miguel Alan Córdova Silva and Víctor Hugo Robles, is based on publishing content related to LGBTIAQ+ subject matter on Wikipedia in Spanish. The new entries and translations carried out during the activity will be added to Wikiproyecto LGBT+ (LGBT+ Wikiproject), a Wikimedia Foundation project which advocates the development of content related to concepts and proper nouns from LGBT+ and queer themes, with the stress placed on Spanish-speaking activists to enhance their reach and improve articles on Wikipedia.

The Museo Reina Sofía’s outdoor summer cinema series returns, once again, in the Sabatini Building Garden throughout the months of July and August. The subject matter of this year’s edition explores how film reflects on itself or, similarly: how film thinks about film. From its origins to the present day, the film medium has explored its own nature from different perspectives: as a magical phenomenon of light and time, as a creative obsession, as an industry with its trades, conditions and precarities or as a series of narrations that depict a community.