Museo Reina Sofía, in its role as a vehicle of knowledge and reflection, as well as an impulse for new spaces for experimentation, creation and dissemination of contemporary art, sets in motion a number of diverse lines of thought and debate. The development of research, analysis and debate frameworks which can imbue the narrative of the Collection with an additional dimension, as well as the programming of exhibitions.The setting in motion of discussion forums on key issues of contemporary debate relevant to the museum as an institution dedicated to providing citizens with frameworks for the critical analysis of culture.The experimentation with alternative methods of mediation between the citizens and the museum's proposals, taking up as a starting point the experience of artists and of the agents with whom the museum establishes collaboration.
Results
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May 30 - June 1, 2016
The Workforce, Precariousness and Super-Exploitation in Global Capital Circuits
Jan Breman
Sociologist Jan Breman, whose research focuses on labour conditions in different international contexts, will hold the upcoming session of the programme Constituent Machines: Constituent Power, Biopolitics, Democracy, organised by the Museo Reina Sofía Study Centre.
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May 30 and June 10, 2016 - 7:30 p.m.
For Expanded Poetics. Readings and talks with Raúl Zurita and Cecilia Vicuña
Within the framework of the exhibition Colectivo Acciones de Arte (C.A.D.A.), 1979-1985, on display in the Museo’s Library and Documentation Centre, two readings and talks are organised with poets who were either part of or collaborated with C.A.D.A. Since it was founded, this Chilean collective set forth productive dialogue between visual art, literature and sociology, whereby poetics were conceived in both expanded and expansive terms.
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May 18, 2016 - 12:00 p.m.
Guided tour around the exhibition Colectivo Acciones de Arte (C.A.D.A.), 1979-1985
With the show’s curator, Francisco Godoy Vega
The exhibition Colectivo Acciones de Arte (C.A.D.A.), 1979-1985 brings together a broad selection of materials from the Archive and work of C.A.D.A., which have been recently acquired by the Museo through dialogue with the material’s custodians, Lotty Rosenfeld and Diamela Eltit, and via research by Red de Conceptualismos del Sur. C.A.D.A. was a collective set up by visual artists Lotty Rosenfeld and Juan Castillo, the writers Diamela Eltit and Raúl Zurita, and sociologist Fernando Balcells.
Activity of: International Museum Day 2016
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May 18, 2016 - 7:00 p.m.
BookJockey session with Fosi Vegue from Blank Paper Escuela
Science and Fiction: A Journey in Which the Photographic Document Transcends an Unknown Dimension
Blank Paper Escuela puts forward BookJockey, an experimental format with which to show and enjoy photobooks. It involves a DJ session with contemporary photographic books, displaying and mixing materials to create a narrative which prompts the audience to perceive them differently.
Activity of: International Museum Day 2016
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May 18, 2016 - 12:00 p.m. and 6:00 p.m.
Company Carmen Fumero: …Eran casi las dos (…It Was Nearly Two O’clock)
To mark International Museum Day, the Museo Reina Sofía welcomes a piece awarded first prize in the 2015 Madrid Choreography Competition: the dance piece entitled …Eran casi las dos (…It Was Nearly Two O’clock), created by Carmen Fumero and Miguel Ballabriga.
Activity of: International Museum Day 2016
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May 18, 2016 - 8:00 p.m.
Niño de Elche: Animal Número
Niño de Elche ofrece en el Museo Reina Sofía un concierto cuyo título, Animal Numero, se basa en los números que portaban en sus cuerpos los presos marroquíes de Guantánamo. Cuenta para el evento con la colaboración de los músicos Raúl Cantizano y Darío del Moral, y Benito Jiménez a cargo de las luces.
Activity of: International Museum Day 2016
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May 10 - June 14, 2016 - 7 p.m
Fiercely Human. Cultural Studies about the 40's
The period of autocracy in Spain presents itself as an abominable decade characterised by the triumphant Francoist aesthetic and ideology on all fronts. This series of lectures, in conjunction with the exhibition Campo Cerrado. Spanish Art 1939–1953, debates and calls into question this acknowledgement through the views of six historians and theorists hailing from different fields of study and different generations.
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April 28 - May 27, 2016 - 7:00 p.m.
Life in the Shadows. Spanish Cinema in a Labyrinth (1939–1953)
This film series, organised in conjunction with the exhibition Campo Cerrado. Spanish Art 1939–1953, focuses on post-war Spanish cinema, moving beyond the clichés that have buried it for a number of decades to present a dark yet fascinating filmic and historical labyrinth displaying conflicts, searches and objectives from the main narratives in a melancholy, wounded and confrontational period.
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