Live Arts

The performances of James Lee Byars (Detroit, Michigan, 1932 – Cairo, 1997) bring together the aesthetic and life concerns of this unique artist. In conjunction with the exhibition the Museo Reina Sofía devotes to the artist, under the title James Lee Byars. Perfect Is the Question, and inside the framework of the programme Living Matter. Other Approaches to Material, this day re-stages, over two sessions, a selection of James Lee Byars’s performances, which open a dialogue with his visual work inside the space of the show. In the form of a coda, the activity also includes the presentation of a new performance conceived specifically for the occasion, Acaeció en Granada, which explores Byars’s relationship with the artist Miguel Benlloch (Loja, Granada, 1954 – Seville, 2018) in the city of Granada.

This public programme explores, via lectures, drifts, encounters and performances throughout the month of June, one of the main strands in the Museo Reina Sofía’s temporary exhibition season: the return of materiality. The exhibitions Antoni Tàpies. The Practice of Art, James Lee Byars. Perfect Is the Question and Eva Lootz. Making as if Wondering: So What Is This? all share references to the affective, speculative and spiritual capacity of matter.

Anastasio de Gracia Foundation and the Museo Reina Sofía pay homage to the Hungarian-American photojournalist on the seventieth anniversary of his death via the concert Slightly Out of Focus, a work inspired by a same-titled autobiographical book (Henry Holt and Company, 1947) and performed by Italian musician Fabio Turchetti and Hungarian pianist Grego Foldvari. In accompaniment with the sound composition is a video-graphic piece by Raquel Sardá and Vicente Alemany.

On Friday, 17 May the Museo Reina Sofía celebrates International Museum Day courtesy of a vibrant music programme curated by Radio 3. Throughout the day, the Nouvel Courtyard will once again become the stage for a live schedule of music conducted by Radio 3 — also livestreamed on the Radio 3 website – including a total of fifty live performances from 7am to 10pm, while from 9pm to midnight the Sabatini Building Garden will be immersed in electronic music played by Radio 3 DJs.

This performance series by De Soto, in close proximity to that which is termed durational art, takes root in a genealogy of works which, from the 1970s, have challenged the audience to delve deeper into the art of waiting, inviting them to look closer and listen more attentively.

Durante los años 2022 y 2023, en colaboración con el equipo de Museo en Red (hoy renombrado Museo Tentacular), La Laboratoria participó en el Nodo crítico Investigaciones Militantes de Tejidos conjuntivos, el Programa de Estudios Propios del Museo Reina Sofía. Simultáneamente impulsó y acompañó una serie de estancias donde distintos colectivos, investigador+s y artist+s problematizaron cuestiones muy diversas enfocadas desde la investigación militante como una práctica política que genera conocimiento colectivo. En la tela de araña es un programa de dos jornadas, que incluyen varias conversaciones y una pieza escénica, a modo de culminación de este proceso de investigación y creación.

By way of discussions, screenings, visits to the Museo and stage pieces, the festival substantiates the visual arts, theatre, writing, the podcast and the fanzine as key tools to imagine and build inclusive cultural spaces for the realities racialised people face, and to steadfastly bring about communal enjoyment, reflection and laughter and promote co-existence and social participation.

The Museo Reina Sofía welcomes Caribbean tides and currents, which flow through the Sabatini Building’s Garden and Cloister from 10pm until midnight as part of the ARCOmadrid 2024 closing party. Embracing the themes of this edition of the Madrid art fair, The Shore, the Tide, the Current: An Oceanic Caribbean, DJ Valerie Brathwaite and Toccororo will unfurl a sound-based connection between distant shores, and with influences and approaches that are as interesting as they are different.

The Museo Reina Sofía develops a diverse programme inside the framework of ARCOmadrid 2024. Under the title The Shore, the Tide, the Current: An Oceanic Caribbean, this edition calls attention to the Caribbean region’s make-up of hybridisations, mixes and creolisations, a mental and geographical space traversed by the poetics of relation, in reference to the concept of Martinique thinker Édouard Glissant.

This edition turns its attentions towards cavities, both mental and physical, that open in our bodies after the passing-through of other bodies. As porous beings we live in constant relations and exchange with others, not only because we are social, or because we inhabit the planet — filled with other living beings — but because we are the planet. And its history. As part of this planet-being, the proposals in this edition of ESTUDIO take on a poetic responsibility, with Ola Maciejewska, Josu Bilbao and Paz Rojo assaying material forms that are poetic, physical and anatomical, and which entail passing through knowledge knowing that results are not guaranteed.

Across the months of October and November 2023, the artistic investigation Not Yet, Still will be developed inside the Museo Reina Sofía. The project by artist and researcher Paz Rojo is articulated via two laboratories, an encounter, a stage experiment and a conversation.

This third edition is articulated around the artistic and discursive trajectory of Tim Etchells and his work with Forced Entertainment, a collective founded in Sheffield, England, in 1984 and made up of Robin Arthur, Richard Lowdon, Claire Marshall, Cathy Naden, Terry O’Connor and Etchells as artistic director.

Chile or Utopian Imagination is a programme of activities which gathers film, textile and community art, critical thought and poetry to explore memory in relation to the project of Salvador Allende’s Unidad Popular (Popular Unity) Government, the coup d’état and Augusto Pinochet’s military dictatorship in Chile by way of the work of different artists and thinkers.

Maximum Respect. Rap, Tapes and Photocopies sets forth a collective reflection on the origins and pathways of rap in Spain, and also serves to present the research project Proposals, Archives and Communities in the Origins of Rap in Spain, which aims to study, document and catalogue activities related to the self-management and self-release of Spanish rap from its beginnings.

The Instituto del Tiempo Suspendido (Institute of Suspended Time, ITS) is a project by Javier Bassas and Raquel Friera which came into being as a fictitious (non)institution seeking to revise temporal regimes established in society.

In this multimedia stage piece, straddling monologue, confession and the activation of body and music, artist Frau Diamanda looks to explore the mutation of transvestite identity, punctuated by questions of class and race and affected by (neo)colonisation and hyperbolic exaltation.

Notes is a new Museo Reina Sofía project which aims to explore other formats and methodologies to accommodate devices and projects which transversally make disciplines hybrid and ensure they are capable of working on processes from erraticism as a possibility.  

This fresh edition of the LGBTIAQ+ programme looks to explore the possibility of imaginatively and politically turning around the logics of hate and fear that run through us, socially raising questions around who personifies a non-normative sex-gender or body position.

The Aníbal Quijano Chair is a space of thought which pays homage to the memory of the great Peruvian thinker, a critic of the coloniality of power, and seeks to open a channel of collective reflection-action to incorporate it into the multiple viewpoints that today discover modernity deprived of its primal pledges. This fifth edition, on the relationship between coloniality, memory and space, constitutes an enquiry on friendship and roots, drawing from Aníbal Quijano’s life and human experience.

El Hierro is not any volcanic island. For centuries, it was considered prime meridian before being replaced by Greenwich Mean Time at the International Meridian Conference in 1884. This occurred after the United Kingdom had standardised the measurement of time for the rest of the planet in 1840 via the Great Western Railway company. El Hierro, sitting halfway between Africa, Europe and South America, is a metaphor for music that circumvents Western media’s powerful grid, which rules the taste, presence and even fees of musicians from the experimental scene. El Hierro will once again be the centre of the world.

Diversity, art and music come together on this day of festivities and vindication, in which Radio 3 sets up in the Nouvel Building Courtyard to offer a line-up of artists who will perform live —streamed on the Radio 3 website — without interruption from 7am to 10pm. The day will conclude with upbeat music in the Sabatini Building Garden from 9pm to midnight.

Omona! is an event which hosts K-pop choreographies and examines thought around this global phenomenon. K-pop, meaning Korean pop, is ever-present the world over, the fine detail of its choreographies, its frenzied music videos and its ultra-mastered sound production some of the hallmarks of this revision of boy bands and girl groups. The encounter sees choreographer and art historian Natalia de Val put forward an analysis of this cultural movement, followed by an event in which assorted dance groups will perform covers of their favourite bands.

This encounter pays tribute to Charlie Parker and Benny Harris’s classic Ornithology, and brings together two figures from Galicia who are both distinguished in their respective spheres: storyteller Quico Cadaval and jazz saxophonist Pablo Castaño.

This programme, which throws into relief the sixth mass extinction in which our world is currently submerged, gathers popular knowledge and scientific research, focusing on marine life and insects. It zooms in on those species which, in being outside the scope of human perception, do not have the same visibility in our collective imagination as other endangered animals.

This TIZ addresses the problem areas that approach ecology from relationality. Interactions, relations of intimacy and mutual support, forms of collective intelligence, shared knowledge, involvement in protesting against climate change and community learning are some of the concepts that define the activities, activations, investigations and accompaniments from April through to July in the Museo.

Project 30. Sketches of Heights is a site-specific performance which reflects, through a collective footprint and oral storytelling, on the memory of women during Franco’s dictatorship. It stems from research — conducted in Madrid during July of 2022 — into thirty women who explored the body at once as a wound and as a territory of resistance.

In conjunction with 8M, the Museo organises a transversal programme with a focus on feminisms which, intersected by new present-day demands — the right to health and housing, climate justice — continue to call out different forms of violence that persist in today’s society as they interweave complicities and affection to make new horizons possible.

The company Teatro Sin Papeles (Undocumented Theatre) presents Las latinas son… (Latin Women Are…) in the Museo, inside the framework of proposals by the Museo Situado assembly.

The sinking of the Prestige in 2002 demonstrated how the majority of contemporary environmental disasters give rise to significant mobilisations of mutual aid and demands in the places where they occur. In this four-day encounter, different researchers, artists, activists and citizens reflect on the relations between ecology, memory and democracy today. The programme revolves around four axes: environmental traditions stretching from the anti-Francoist struggle to the present; memory and citizen creativity following the Prestige oil spill; authoritarian threats that loom from the depletion of fossil fuels; and controversies around imaginable futures.

Unending love or love dies, on repeat like it's endless is a choreography which explores relationships between desire, dance, fragmentation, love (understood as communality), mourning and time. Through the gesture, sensuality, relationality and touch, Baczyński-Jenkins’s practice unfurls structures and politics of desire.