Activities

Alice Centamore y Christian Xatrec, comisarios de la exposición Llámalo de otra manera. Something Else Press, Inc. (1963-1974), proponen un recorrido por la muestra con el objetivo de acercarse a las prácticas artísticas que la editorial Something Else Press contribuyó a difundir en las décadas de 1960 y 1970: nuevas formas de creación que estuvieron basadas en el tiempo, el azar y el agenciamiento del público, como las de Fluxus y el arte conceptual.

This fresh edition shows the national premiere of Man in Black (2023) by Wang Bing (China, 1967), a documentary feature film on memory, truth and the power of music from the biography of composer Wang Xilin (China, 1936). The director will also present the film and participate in the conversation that follows the screening.

Developed by Fundación Gabeiras, Legacies. Spaces to Preserve Contemporary Creations is a project which seeks to analyse the situation of artistic legacies in the Spanish State from a social and legal perspective. It comes into being with the aim of drawing up a legal report to put forward solutions to a widespread problem of neglect in a state-wide context: the precarity of senior artists and safeguarding their contemporary legacies.

En el marco de la exposición maquinaciones, se lleva a cabo en el Museo un taller de sastrería en colaboración con agentes locales y un acto público de presentación del proyecto en el que se muestra algunas piezas confeccionadas en Trieste. Ambas actividades ahondan en la potencia de la cooperativa como máquina de reproducción social y sostén de la vida en común, a partir de la alianza entre colectivos que luchan por sus derechos.

José María Berzosa (Spain, 1928 — France, 2018) is a missing link in the history of Spanish cinema, his filmography, made entirely in France, characterised by the use of sarcasm and parody against despotic power. The documentary’s four episodes unmask the monstrosities of Augusto Pinochet’s dictatorship, while also spotlighting film’s capacity to confront tyranny and represent the subjugated.

Chile or Utopian Imagination is a programme of activities which gathers film, textile and community art, critical thought and poetry to explore memory in relation to the project of Salvador Allende’s Unidad Popular (Popular Unity) Government, the coup d’état and Augusto Pinochet’s military dictatorship in Chile by way of the work of different artists and thinkers.

Bayanihan Re-existence is an installation conceived to welcome events and activities from the Notes for a Time Apart programme, inviting rest, reading and shared time to make the Palacio de Velázquez a more pleasant place for visitors.

Maximum Respect. Rap, Tapes and Photocopies sets forth a collective reflection on the origins and pathways of rap in Spain, and also serves to present the research project Proposals, Archives and Communities in the Origins of Rap in Spain, which aims to study, document and catalogue activities related to the self-management and self-release of Spanish rap from its beginnings.

This session, the fifth in the series organised with the research group TURICOM, sets out to explore the relationship between tourist imaginaries and the visual arts from the 1960s onwards. The activity looks to reflect on the difficulty, and urgency, of imagining a world after, or beyond, tourism, with the programme comprising a compendium of brief lectures and a subsequent presentation of specific case studies by architecture and urbanism teams involved in re-wilding environments affected by tourism exploitation.

This workshop, drawing from the machinations exhibition, creates and improves Wikipedia entries related to the show’s focal points — War Machines, Schizo Machines, Cinema Machines of Care — and some of the concepts related to works by the artists involved: the crisis of representation, micropolitics, deep ecology, social machines and cyborgs, among others.

This new edition of the summer cinema is devoted to the monsters that inhabit our collective imaginary and customarily represent not only evil, but also the strange, the marginal and the maladjusted. Every Friday and Saturday throughout July and August, the series convenes a bestiary of vampires, witches and other special beings inside the Museo, a coven of deviants and dissidents to share historical phobias, cook up a rejection of the norm and offer an alternative, monstrous gaze through film.  

This round-table discussion features the participation of Ballet Djédje, Demetrio Gómez, Elena Prous, Tatiana Romero Reina and Iki Yos Piña, the voices of different agents hit hard by the logics of hate and fear and who refuse to assume the role of victim that pushes them aside and threatens to absorb the energy and capacity to evolve and build other ways of relating. 

The Museo Reina Sofía Library and Documentation Centre organise, in collaboration with PhotoBook Club Madrid, Harvest, an annual public encounter which presents photobook mock-ups and is open to creators of every stripe. Photobooks have now become one of the biggest vehicles of expression for contemporary photographic creation, with Harvest 2023 an encounter which looks to gauge and share current activity in this field.

The Instituto del Tiempo Suspendido (Institute of Suspended Time, ITS) is a project by Javier Bassas and Raquel Friera which came into being as a fictitious (non)institution seeking to revise temporal regimes established in society.

In this multimedia stage piece, straddling monologue, confession and the activation of body and music, artist Frau Diamanda looks to explore the mutation of transvestite identity, punctuated by questions of class and race and affected by (neo)colonisation and hyperbolic exaltation.