Active from the late 1910s until the early 1950s, Katarzyna Kobro and Władysław Strzemiński produced work that was especially consistent with modernist avant-garde ideas. Touching on various disciplines, including painting, sculpture, architecture, and industrial and graphic design, their oeuvre anticipated new trends that were to reach their plenitude in the practices of later generations, such as minimalism, the Zero movement, and reductionist art.
Two premises articulate the production of both artists. The first is the conviction that the artwork must be constituted in consonance with the principles inherent to it in order to attain internal coherence. The second is the conception of art as an experiment in pure form, though this does not imply the absence of a social dimension. Indeed, these artists saw artistic practice as developing abstracts models of organization that could be applied to industrial design, architecture, or engineering. The ultimate purpose of art is therefore not the manufacture of beautiful objects but a substantial transformation of the world on the basis of creative experimentation. The artistic ideas of Kobro and Strzemiński in fact included a constant demand for experiment that manifested itself in the continual manufacture of prototypes, seeking and testing various solutions for each problem encountered in a process that embraced the material and structural organization of both the artwork and society, and in later years even the phenomenon of vision itself.
This exhibition dedicated to the work of both artists takes visitors on an itinerary through their different phases and means of expression, revisiting some of the lesser-known pages of the history of modern art and the Central European context of the first half of the 20th century. In this respect, the work of Kobro and Strzemiński, with which they transgressed and radicalized many of the beliefs of the avant-gardes, also allows us to question some of the most widespread ideas on modernism, pointing us toward its possible declinations and the vanishing points on its horizon.
Reina Sofia Museum's Publications
11 November, 2020 - 1 March, 2021
Mondrian and De Stijl
22 October, 2020 - 4 April, 2021
From North to South, Rhythms
14 October, 2020 - 11 January, 2021
Sound Experimentation 1980-2020
7 October, 2020 - 26 April, 2021
Niño de Elche
Invisible Auto Sacramental: A Sonic Representation from Val del Omar
23 September, 2020 - 1 March, 2021
Art in Sound up to 1980
29 July, 2020 - 11 January, 2021
Our Memory Is Being Stolen
17 July, 2020 - 28 February, 2021
To a raven and hurricanes that from unknown places bring back smells of humans in love
25 September 2020 – 5 February 2021
What Are We Doing Here?
Alternative Spaces in Madrid at the Turn of the CenturyMuestras documentales, Biblioteca y Centro de Documentación