Nasreen Mohamedi (Karachi, 1937 – Baroda, 1990) was one of the first Indian artists to embrace abstraction, moving away from the more conventional doctrines of Indian modern art in the early decades of the 20th century. She chose non-figuration, an artistic practice marginalised at that time by independent India, which was essentially dominated by an anthropomorphous aesthetic and academic realism determined by art schools from the colonial period.
Her artistic career, defined by the rigours of self-discipline and self-control, leads us towards a personal vision articulated around a frugal aesthetic and the use of simple mediums, where the mathematical, the metaphysical, the mystical were adopted in her search for a subjective and immaterial world.
The exhibition, organised by the Museo Nacional Centro de Arte Reina Sofía and The Metropolitan Museum of Art, New York, in collaboration with the Kiran Nadar Museum of Art, New Delhi, displays her work – combining thought and action – in the intersections between her life and her art. The show features drawings, photographs, paintings and collages, with a focus on Mohamedi’s work throughout the 1970s.
Exhibition´s details
The Metropolitan Museum of Art, New York (March 18 - June 5, 2016)
RRS Museo Reina Sofía Radio
Museo Reina Sofía Publications
Current exhibitions
-
16 January 2025 - 16 January 2026
Miguel Ángel Tornero
Big Frieze
-
20 November 2024 – 31 March 2025
Grada Kilomba
Opera to a Black Venus. What would the bottom of the ocean tell us tomorrow, if emptied of water today?
-
6 November 2024 – 17 March 2025
“In the troubled air…”
-
9 October 2024 – 10 March 2025
Esperpento
Popular Art and Aesthetic Revolution
-
25 September 2024 - 10 March 2025
Soledad Sevilla
Rhythms, Grids, Variables
-
4 October 2024 – 9 March 2025
GENE
Topia and Revolution: 1986–1988
Library and Documentation Centre